The Grainger’s Worcester Porcelain was established by Thomas Grainger (1783–1839), who was an apprentice at Robert Chamberlain’s Worcester factory with his partner John Wood. Set up as a rival porcelain company in rented property in Lowesmore, Worcester in 1801, like Giles and Chamberlain before them, they started by decorating blank porcelain made by other companies. By 1804 they were advertising the decoration of porcelain in local newspapers and had opened a shop in Worcester Forgate Street by 1806.
Grainger & Wood started to manufacture their own porcelain by 1807 and soon gained a good reputation for both useful and ornamental wares. Rich patterns such as Japanese style Imari and fine tea wares posed serious competition for the Chamberlain and Barr, Flight & Barr factories in the city. Some exceptionally fine flower and landscape paintings were also produced, usually on straight-sided mugs or classical vases. Following a factory fire in 1809 a new factory was built at St Martin’s Gate.
In 1839, following the death of Thomas Grainger his son George took control of the company and encouraged the production of elaborate ornamental wares. Grainger embraced the Neo-Rococo style in the 1830’s and 1840’s, producing a wide range of decorative vases, tea and dessert wares. Characterised by extravagant shapes, bright rich colours and scrolled gilding, this revival style was fashionable with up-and-coming industrialists who could afford to spend money on their homes. George Grainger & Co diversified their products, producing embossed tiles for fireplaces, unglazed china figures and door furniture. They were also successful with the development of Chemical Porcelain (for laboratory use) and Semi-porcelain.
Following the death of George Grainger in 1889 the Grainger factory was sold to Royal Worcester who continued manufacture on the St.Martin’s Gate site until finally closing the works in 1902. During the 1890’s the Grainger factory specialised in the production of hand painted pieces for display, richly jewelled pieces and ivory porcelain in a similar style to Royal Worcester. Grainger pierced wares were largely the work of Alfred Barry. Unlike the Royal Worcester pierced wares, Grainger designs tend to be curvilinear in style, with the holes following a set pattern created from the mould.
Many of Grainger’s work force transferred to the Royal Worcester factory in 1902 including the famous Stinton family of painters. Even in the early 21st century some of the moulds and designs from Grainger’s factory were still used by Royal Worcester.
Company Ownership
1801–1806 Grainger & Wood Thomas Grainger and John Wood |
1806–1808 Grainger, Wood & Wilkins Thomas Grainger, John Wood and James Wilkins |
1808-1811 Grainger, Wood & Co Thomas Grainger, John Wood, James Pardoe and Benjamin Crane |
1811-1814 Thomas Grainger & Co Thomas Grainger, John Lee, Thomas Pardoe and Benjamin Crane |
1814-1839 Grainger, Lee & Co Thomas Grainger and James Lee |
1839-1889 George Grainger & Co George Grainger |
1889-1902 Grainger & Co. Owned by Royal Worcester |
Grainger Factory Marks
Grainger & Co, Worcester c.1805–1811 Hand written script |
G.Grainger, Worcester c.1805–1811 Hand written script |
Grainger, Wood & Co Worcester c.1805–1811 Hand written script |
Grainger & Co c.1811–1814 Painted or printed |
Grainger, Lee & Co c.1814–1839 |
G Grainger & Co Worcester c.1839–1869 |
Grainger Worcester c.1850–1875 Semi porcelain |
Year letters that occur under Royal China Works mark from 1891–1902
A = 1891 | B = 1892 | C = 1893 | D = 1894 |
E = 1895 | F = 1896 | G = 1897 | H = 1898 |
I = 1899 | J = 1900 | K =1901 | L = 1902 |